The Endless Village

Aspex Gallery, The Vulcan Building, Gunwharf Quays, Portsmouth PO1 3BF

023 9277 8080
info@aspex.org.uk
www.aspex.org.uk

Friday 30 March 2018 – Sunday 10 June 2018
Preview: Thursday 29 March 2018, 6pm
Opening Hours: Wednesday - Sunday, 11am - 4pm

Investigating life, localism and trade relations, the artist’s moving image work - an ambitious sitcom pilot entitled Banana Day - presents a satirical meditation on future daily life in NFKATUK - the Nation Formerly Known As The UK:

It is 2066, 50 years since Brexit and 1000 years since the Norman Conquest. A devolution revolution has gripped the public consciousness as first countries - then counties sought political control on a local level leading to a succession of endless villages, tribes and small self- sufficient communities. The resulting breakdown in global trade renders legally sourced bananas as virtually non-existent.

But each year in Kingdom#3, a special community celebration is held called ‘Banana Day’, a time to celebrate the forbidden fruit. Why do Kingdom#3 insist on celebrating the banana, an unavailable fruit with a dark colonial history? How will they possibly find a banana in time and what ethical compromise will its purchase entail?

Written and produced by General Public (visual artists Chris Poolman & Elizabeth Rowe), with a cast of professional actors and filmed by Oli Clark, a former BBC director/producer whose TV credits include the BAFTA award winning series Coast, The Endless Village will be presented as an exhibition at Aspex, and in Summer 2018 at Eastside Projects in Birmingham.

Alongside the moving image work, the exhibition will feature props and costumes from the film, archival material relating to the global banana trade, oral history interviews with elderly residents of Sparkbrook (an inner city area of Birmingham) who remember life before bananas and fictional artefacts from life in NFKATUK (The Nation Formerly Known As The UK). The artist’s said:

“The project takes its name from a book by Bunny Teagle called The Endless Village (1972) - a pioneering study of the natural history of Birmingham and the Black Country. He argued that the natural heritage of Birmingham and the Black Country is inextricably woven into its social, industrial and cultural heritage. The project was filmed on location in pockets of ‘urban countryside’ that populate Birmingham - contemporary parallels to those identified by Bunny Teagle.”

General Public will also be undertaking a residency at Aspex from 30 May - 3 June 2018. During this time they will be hosting a series of participatory events in response to the exhibition.

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Visual Arts South West

Working towards a South West where talented artists thrive, and a resilient and connected visual arts ecology that inspires more engaged and diverse audiences to value and advocate for its work.

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